Alister, the leader of a young sales force who deals in cutlery, appears to be a passionate entrepreneur but it turns out he is a pawn, lost in a multilevel marketing scheme.

Comedy series about door-to-door sales life in the vein of Reno 911.

A romantic comedy about a depressed salesman coping with a cheating wife, his sadistic boss and the beautiful sales rep hired to replace him.

A group of wildly diverse sales people do battle against each other, a changing media landscape, and their own wacky customer base at a big city radio station.

Naomi has known all her life that she will succumb to the same fate that has befallen her family for generations. Unlike her ancestors, who all made unmitigated fools of themselves trying to avoid the curse, Naomi has accepted her destiny and tells herself that she is ready.

A brave man decides to kidnap his friend's beloved from a forced marriage, but ends up abducting the wrong bride. Ironically, the bride he kidnapped is ecstatic because she was already planning an escape. On the run, they fall in love, but in order to get married, they must convince their families.

Agent Tris Martin is tasked with rescuing a high-value asset from the clutches of a vicious ‘kidnap-for-ransom’ mercenary group.

A young woman faces a moral dilemma when she witnesses a sexual encounter in a dressing room at the clothing store where she works.

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”

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